fbpx
es Español en English
PIERNA CUCHILLO

PIERNA CUCHILLO
Mueva su ratón sobre la imagen o haga clic para ampliar
2004 Waltes Niversu, Todos los derechos reservados.

Waltes Niversu



"PIERNA CUCHILLO"

Obra original, 
  • Grafito
  • Tinta
sobre Papel, Pieza única Nuevo

Precio: 3.000 €




Resumen de la obra original

  • Grafito
  • Tinta
sobre Papel
Medidas: 140 ancho x 140 alto cm.
Año: 2004
This artwork belong to BALGUI collection. Without a doubt, sex is an immensely powerful stimulus. My experience is one of succumbing to its effect over and over again. There are times when I am not even aware of how much its charm can affect me. My perception of the female has been transforming over time. The image I have formed of her in America is not the same as the one I have formed of her during my years in Spain. And this drawing expresses this second image.

The Spanish woman builds a completely different relationship with the male. Full of paradoxes. The gender relationship in Spain is one of love and hate. It has historical and complex cultural roots that I do not intend to develop here, since this is an anthropological study that goes far beyond this humble drawing. I will only keep the singular flavor that two experiences in 2004 left in my instincts.

The invitation was made by opening the doors, as when a pilgrim is given maternal hospitality, offered that conditional hospitality. The legs are open arms. Ape arms that are female legs, as human as they are animal.

In the center the most maddening sensitive temptation. A delicious dish for pleasure. Managed and served by a somewhat treacherous host, protective in appearance and yet piratical in nature. It suggests that there will be shelter in this deep cave, and at the same time, the shelter turns out to be a trap.

The opposition is in turning the soft, squishy or warm, protective envelope of vaginal flesh into just the opposite. A hard edge of metal, which wounds the flesh.

When the most loving and friendly point suddenly turns into the feast of menace. A bewildering flirtatious nest of playful little pigs, daggers, florets, catanas, guillotines, machetes and all kinds of swords. The sharp blade, in the woman is basically a metaphor for "the word" and its corrosive and bitter language.

The cloud that envelops everything is a geometric pattern of the Nasrid culture, reminiscent of the Iberian Muslim empire. From this model a femininity both protected and controlled is distinguished. And it is from this pattern that the collective conquers and makes itself present with its voice.

The scissors again allude to a duality of two functions. On the one hand, an emancipation that liberates as it divides. The umbilical cords link in the beginning what will be two individuals in the future. The scissors, on the other hand, are the tools used for amputation and castration.

The woman initiates an arms race, creates a belt of bullets. With them she empowers herself. She becomes even more influential, as well as hostile and aggressive. She assumes the role of a black widow.

The candles are a gesture of veneration. The creation of a shrine erected in the main nave of this cathedral of pleasures and pains.

Here the power relationship in the human race is made explicit. Every virile member who ventures into the vaginal paradise or has the courage to penetrate, runs the risk of castration, and even further, of having his personality severed, to nullify his masculinity at its root. A war that seeks to reach truces with a balance of forces.

A second reading for this approach is the metaphor of the deceitful promise. It can be extrapolated to the political level. It is the idea that some of the most successful mass ideologies are deceptive lies. Whose perfumed strategies of seductive proselytism, based on captivating naivety with a future of a fabulous social Eden, which far from being reached, disintegrates as it goes along, giving way to the same apocalyptic state.

That is when ideology takes over, when everything goes wrong, when the truth hidden behind the attractive lie appears, and when the illusions developed and embraced by the loyal followers, are also castrated without contemplation, ...., leaving them empty and at the mercy.



Obra Original

Pieza Única

Incluye Certificado de autenticidad

Envío y políticas

  • Ubicación del artículo: SPAIN
  • Envía a Todo el mundo
  • Normalmente se enviará en un plazo de 5-10 días laborables desde que se haga efectivo el pago.

    Agregar a
    0
    Favoritos
     
    49
    Visitas

    Publicado en ARTEnet desde: 06 Julio , 2024


    • Detalles de la obra original

      • Grafito
      • Tinta
      sobre Papel
      Medidas: 140 x 140 cm.
      Año de creación : 2004

      Estilo / Tema

      Temática:
      • Desnudos
      • Surrealismo

      Resumen

      This artwork belong to BALGUI collection.

      Descripción

      Without a doubt, sex is an immensely powerful stimulus. My experience is one of succumbing to its effect over and over again. There are times when I am not even aware of how much its charm can affect me. My perception of the female has been transforming over time. The image I have formed of her in America is not the same as the one I have formed of her during my years in Spain. And this drawing expresses this second image.

      The Spanish woman builds a completely different relationship with the male. Full of paradoxes. The gender relationship in Spain is one of love and hate. It has historical and complex cultural roots that I do not intend to develop here, since this is an anthropological study that goes far beyond this humble drawing. I will only keep the singular flavor that two experiences in 2004 left in my instincts.

      The invitation was made by opening the doors, as when a pilgrim is given maternal hospitality, offered that conditional hospitality. The legs are open arms. Ape arms that are female legs, as human as they are animal.

      In the center the most maddening sensitive temptation. A delicious dish for pleasure. Managed and served by a somewhat treacherous host, protective in appearance and yet piratical in nature. It suggests that there will be shelter in this deep cave, and at the same time, the shelter turns out to be a trap.

      The opposition is in turning the soft, squishy or warm, protective envelope of vaginal flesh into just the opposite. A hard edge of metal, which wounds the flesh.

      When the most loving and friendly point suddenly turns into the feast of menace. A bewildering flirtatious nest of playful little pigs, daggers, florets, catanas, guillotines, machetes and all kinds of swords. The sharp blade, in the woman is basically a metaphor for "the word" and its corrosive and bitter language.

      The cloud that envelops everything is a geometric pattern of the Nasrid culture, reminiscent of the Iberian Muslim empire. From this model a femininity both protected and controlled is distinguished. And it is from this pattern that the collective conquers and makes itself present with its voice.

      The scissors again allude to a duality of two functions. On the one hand, an emancipation that liberates as it divides. The umbilical cords link in the beginning what will be two individuals in the future. The scissors, on the other hand, are the tools used for amputation and castration.

      The woman initiates an arms race, creates a belt of bullets. With them she empowers herself. She becomes even more influential, as well as hostile and aggressive. She assumes the role of a black widow.

      The candles are a gesture of veneration. The creation of a shrine erected in the main nave of this cathedral of pleasures and pains.

      Here the power relationship in the human race is made explicit. Every virile member who ventures into the vaginal paradise or has the courage to penetrate, runs the risk of castration, and even further, of having his personality severed, to nullify his masculinity at its root. A war that seeks to reach truces with a balance of forces.

      A second reading for this approach is the metaphor of the deceitful promise. It can be extrapolated to the political level. It is the idea that some of the most successful mass ideologies are deceptive lies. Whose perfumed strategies of seductive proselytism, based on captivating naivety with a future of a fabulous social Eden, which far from being reached, disintegrates as it goes along, giving way to the same apocalyptic state.

      That is when ideology takes over, when everything goes wrong, when the truth hidden behind the attractive lie appears, and when the illusions developed and embraced by the loyal followers, are also castrated without contemplation, ...., leaving them empty and at the mercy.

    • Envío:

      Ubicación del artículo: SPAIN
      Envía a
      • España
      • Todo el mundo

      Gastos de envío España: 250 EUR
      Gastos de envío Mundo:Contacto artista

      Tiempo de manipulación para envíos:

      Normalmente se enviará en un plazo de 5-10 días laborables desde que se haga efectivo el pago.
    Contacta con el artista

    Rellena el siguiente formulario para contactar con "Waltes Niversu" (ARTEnet recibirá copia del mensaje).

    Artista: Waltes Niversu
    PIERNA CUCHILLO
     Comprar "PIERNA CUCHILLO"
    Precio: 3.000 EUR

    Si estas interesado o quieres más información sobre esta obra, ponte en contacto con "Waltes Niversu" (ARTEnet recibirá copia del mensaje).

    PIERNA CUCHILLO
    Haz una oferta a Waltes Niversu por PIERNA CUCHILLO
    Precio Original: 3.000€ o Mejor Oferta

    Ayuda

    ¿Preguntas sobre este artículo?

    Contactar con el artista

    ,
    Teléfono móvil:
    Web:

    Detalles de envío

    Ubicación del artículo: SPAIN
    Envía a
    • España
    • Todo el mundo

    Gastos de envío España: 250 EUR

    Tiempo de manipulación para envíos:

    Normalmente se enviará en un plazo de 5-10 días laborables desde que se haga efectivo el pago.

    Formas de pago y Políticas

    Formas de pago:
    Políticas del artista:
    ¿Preguntas sobre ARTEnet?

    Contacta con nuestro Equipo de asistencia

    Ponte en contacto con nuestro Equipo de asistencia al cliente.

    Preguntas frecuentes:
    ¿Cómo funciona la opción Hacer oferta?
    ¿Cómo compro un artículo en ARTEnet?
    Ir al Centro de ayuda
    No Verificado
    Artista No Verificado
    Waltes Niversu

    Aprovecha todo el potencial de ARTEnet con la Cuenta Verificada.

    Ventajas:

    • Sello de confianza de artista verificado por ARTEnet
    • Obras promocionadas y destacadas
    • Fichas sin publicidad ...y mucho más

         
    Compre el original ahora

    Lo sentimos pero esta función aún no está disponible. Estamos recolectando estadísticas sobre el interés del comprador.

    Por ahora, póngase en contacto con el vendedor.

    Comprar una imprimir

    Lo sentimos pero esta función aún no está disponible. Estamos recolectando estadísticas sobre el interés del comprador.

    Por ahora, póngase en contacto con el vendedor.