Inspired by the Beatos around the year 1000 in Europe, the style borrows the naive and popular beauty of medieval illuminations dealing with the Apocalypse except that it is Ecuadorian and Peruvian mythology at the end of Atahualpa and his possible redemption by the god Hermes, a Greek god wanted by speculative Freemasonry.

Inspired by the Beatus around the year 1000 in Europe, the style borrows from the naive and popular beauty of medieval illuminations dealing with the Apocalypse except that it is Ecuadorian and Peruvian mythology at the end of Atahualpa and his possible redemption by the god Hermes, a Greek god dear to speculative Freemasonry.

Inspiré par le Beatus vers l'An 1000 en Europe, le style emprunte à la beauté naïve et populaire des illuminures du moyen-âge traitante de l'Apocalypse à ceci près qu'il s'agit de la mythologie équatorienne et péruvienne sur la fin d'Atahualpa et sa possible rédemption par le dieu Hermès, dieu grec cher à la franc-maçonnerie speculative.