dibujo del genero BALGUI Allegory of an archetype of the "Moneylover", a term coined by Augusto Marín. It is defined as a contemporary profile. The individual, being clinging to money, becomes a prisoner of it. Attachment causes suffering. It is an attachment equivalent to the attachment one has with a drug addiction. It is the slave of what he desires, and the source of his suffering. Dependent to insatiable.

"Moneylover" is that subject who has turned his life into a means to obtain money, he is the one who has left aside all other axiological and deontological principles, for the principles of the Market, he has left everything below the necessary criteria to accumulate compulsively and obsessively more and more money.

The "Moneylover", He is the one who has turned money into a "god" to whom he pays honours, loyalty, tribute and is the only thing he admires and respects, The subject who, without that infinite greed for more money, his life is empty and his life has no meaning.

The Moneylover archetype is shown to be heroic and a model to follow and imitate in a Mercantile context and in a capitalist system. However, under this triumphant image of success as a commercial predator, a pathological personality is hidden, whose value scale consists of an excessive egoism, whose frivolous idealization drags him to pettiness and misery consecrating above all to the materialistic plane, and implacably abandoned. to a secondary plane any other type of love. Showing insensitivity and deep contempt for the love of other humans, or the love of nature itself, of ecosystems and any manifestation of natural life.

The Moneylover is represented in the drawing, riding on a mountain of money. The mountain is represented by a stack of coins. Patterns of circles of different sizes.

The most important currencies of the world market are gathered and mixed in this huge treasure: Pounds, rupee, dollar, euro, yen, ruble, won, bitcoin, the treasures are small, compared to this abundant booty.

That anguish and that anxiety drives the Moneylover to take everything within his reach. The greed in him is infinite and unlimited. It was necessary to cover as much as possible. Conventional hands are insufficient. The Moneylover's hands have become or have evolved to take the form of shovels, hydraulic backhoes.

The Moneylover is represented in the drawing, with two pairs of arms, since two are not enough. Despite the disproportionate hypertrophied and gigantic sizes of the arms, the rest of the body contrasts with its fragility. The Moneylover's body is reminiscent of insects, with antennae, short feet. . It is this insect attribute that symbolizes his insignificance.

He carries on himself, collection areas, trays, to collect or store bags of money with great imprudence, until reaching an amount that makes it impossible for him to move without unbalancing the whole set. It is a fever to accumulate, fool the last one, that the world is going to end.